Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 85
Stran 154
... verses , or a poem ; blank verse being as much below them as rhyme is improper for the Drama . And if it be objected that neither are blank verses made extempore , yet , as nearest nature , they are still to be pre- ferred . But there ...
... verses , or a poem ; blank verse being as much below them as rhyme is improper for the Drama . And if it be objected that neither are blank verses made extempore , yet , as nearest nature , they are still to be pre- ferred . But there ...
Stran 155
... verse may be natural in plays , yet I should always be ready to confess , that those which I have written in this kind come short of that perfection which is required . Yet since you are pleased I should undertake this province , I will ...
... verse may be natural in plays , yet I should always be ready to confess , that those which I have written in this kind come short of that perfection which is required . Yet since you are pleased I should undertake this province , I will ...
Stran 589
... verse , ancient , medieval and modern , away from their various periods and throwing them together in one's mind , but to consider both verse and prose in relation to their functions at different times . The important thing to recognize ...
... verse , ancient , medieval and modern , away from their various periods and throwing them together in one's mind , but to consider both verse and prose in relation to their functions at different times . The important thing to recognize ...
Vsebina
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Avtorske pravice | |
26 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing