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sional reason, it ought to be pulled down, for it disgraces the present magnificence of the capital, and is a continual nuisance to neighbours and passengers.

merchants, and next to them the several corporations of the city, in their formalities, reaching to the alderman's station at the upper end of Cheapside. On the opposite side were placed the city constables, dressed in silk and velvet, with staffs in their hands, to prevent the breaking in of the mob, or any other disturbance. On this occasion, Gracechurch street and Corn hill were hung with crimson and scarlet cloth, and the sides of the houses of a place then called Goldsmiths' row, in Cheapside, were adorned with gold brocades, velvet, and rich tapestry.

The procession began from the Tower, with twelve of the French ambassador's domestics in blue velvet, the trappings of their horses being blue sarsnet, interspersed with white crosses; after whom marched those of the equestrian order, two and two, followed by judges in their robes, two and two; then came the knights of the bath in violet gowns, purfled with menever. Next came the abbots, barons, bishops, earls, and marquises, in their robes, two and two. Then the lord chancellor, followed by the Venetian ambassador and the archbishop of York; next the French ambassador and the archbishop of Canterbury, followed by two gentlemen representing the dukes of Normandy and Aquitain; after whom rode the lord mayor of London with his mace, and garter in his coat of arms; then the duke of Suffolk, lord high steward, followed by the deputy marshal of England, and all the other officers of state in their robes, carrying the symbols of their several offices: then others of the nobility in crimson velvet, and all the queen's officers in scarlet, followed by her chancellor uncovered, who immediately preceded his mistress.

The queen was dressed in silver brocade, with a mantle of the same furred with ermine; her hair was dishevelled, and she wore a chaplet upon her head set with jewels of inestimable value. She sat in a litter covered with silver tissue, and carried by two beautiful pads cloathed in white damask, and led by her footmen. Over the litter was carried a canopy of cloth of gold, with a silver bell at each corner, supported by sixteen knights alternately, by four at a time. After her majesty came her chamberlain, followed by her master of horse, leading a beautiful pad, with a side-saddle, and trappings of silver tissue. Next came seven ladies in crimson velvet, faced with gold brocade, mounted on beautiful horses with gold trappings. Then followed two chariots covered with cloth of gold, in the first of which were the duchess of Norfolk and the marchioness of Dorset, and in the second four ladies in crimson velvet; then followed seven ladies dressed in the same manner, on horseback, with magnificent trappings, followed by another chariot all in white, with six ladies in crimson velvet; this was followed by another all in red, with eight ladies in the same dress with the former; next came thirty gentlewomen, attendants to the ladies of honour; they were on horseback, dressed in silks and velvet; and the cavalcade was closed by the horse guards.

This pompous procession being arrived in Fenchurch street, the queen stopped at a beautiful pageant, crowded with children in mercantile habits,

A longer course of scaffolding is, doubtless, more expensive than a shorter; but, it is hoped, that the time is now

who congratulated her majesty upon the joyful occasion of her happy arrival in the city.

Thence she proceeded to Gracechurch corner, where was erected a very magnificent pageant, at the expense of the company of Anseatic merchants, in which was represented mount Parnassus, with the fountain of Helicon, of white marble, out of which arose four springs, about four feet high, centering at the top in a small globe, from whence issued plenty of Rhenish wine till night. On the mount sat Apollo, at his feet was Calliope, and beneath were the rest of the Muses, surrounding the mount, and playing upon a variety of musical instruments, at whose feet were inscribed several epigrams suited to the occasion, in letters of gold.

Her majesty then proceeded to Leadenhall, where stood a pageant, representing a bill encompassed with red and white roses; and above it was a golden stump, upon which a white falcon, descending from above, perched, and was quickly followed by an angel, who put a crown of gold upon his head. A little lower on the hillock sat St. Anne, surrounded by her progeny, one of whom made an oration, in which was a wish that her majesty might prove extremely prolific.

The procession then advanced to the conduit in Corn hill, where the Graces sat enthroned, with a fountain before them, incessantly discharging wine; and underneath, a poet, who described the qualities peculiar to each of these amiable deities, and presented the queen with their several gifts.

The cavalcade thence proceeded to a great conduit that stood opposite to Mercers' hall in Cheapside, and, upon that occasion, was painted with a variety of emblems, and during the solemnity and remaining part of the day, ran with different sorts of wine, for the entertainment of the populace.

At the end of Wood street, the standard there was finely embellished with royal portraitures and a number of flags, on which were painted coats of arms and trophies, and above was a concert of vocal and instrumental music.

At the upper end of Cheapside was the aldermen's station, where the recorder addressed the queen in a very elegant oration, and, in the name of the citizens, presented her with a thousand marks, in a purse of gold tissue, which her majesty very gracefully received.

At a small distance, by Cheapside conduit, was a pageant, in which were seated Minerva, Juno, and Venus; before whom stood the god Mercury, who, in their names, presented the queen a golden apple.

At St. Paul's gate was a fine pageant, in which sat three ladies richly dressed, with each a chaplet on her head, and a tablet in her hand, containing Latin inscriptions.

At the east end of St. Paul's cathedral, the queen was entertained by some of the scholars belonging to St. Paul's school, with verses in praise of the king and her majesty, with which she seemed highly delighted.

Thence proceeding to Ludgate, which was finely decorated, her majesty was entertained with several songs adapted to the occasion, sung in concert by men and boys upon the leads over the gate.

passed, when any design was received or rejected, according to the money that it would cost. Magnificence cannot be cheap, for what is cheap cannot be magnificent. The money that is so spent, is spent at home, and the king will receive again what he lays out on the pleasure of his people. Nor is it to be omitted, that, if the cost be considered as expended by the publick, much more will be saved than lost; for the excessive prices, at which windows and tops of houses are now let, will be abated; not only greater numbers will be admitted to the show, but each will come at a cheaper rate.

Some regulations are necessary, whatever track be chosen. The scaffold ought to be raised at least four feet, with rails high enough to support the standers, and yet so low as not to hinder the view.

It would add much to the gratification of the people, if the horse guards, by which all our processions have been of late encumbered, and rendered dangerous to the multitude, were to be left behind at the coronation; and if, contrary to the desires of the people, the procession must pass in the old track, that the number of foot soldiers be diminished; since it cannot but offend every Englishman to see troops of soldiers placed between him and his sovereign, as if they were the most honourable of the people, or the king

At the end of Shoe lane, in Fleet street, a handsome tower with four turrets, was erected upon the conduit, in each of which stood one of the cardinal virtues, with their several symbols; who, addressing themselves to the queen, promised they would never leave her, but be always her constant attendants. Within the tower was an excellent concert of music, and the conduit all the while ran with various sorts of wine.

At Temple-bar she was again entertained with songs, sung in concert by a choir of men and boys; and having from thence proceeded to Westminster, she returned the lord mayor thanks for his good offices, and those of the citizens, that day. The day after, the lord mayor, aldermen, and sheriffs, assisted at the coronation, which was performed with great splendour.-Stow's Annals.

Note. The same historian informs us, that queen Elizabeth passed in the like manner, through the city, to her coronation.

The admirers of the descriptions of pageants may be amply gratified in Henry's History of England. The field of the cloth of gold shines luza inter minora sidera."-Ep.

required guards to secure his person from his subjects. As their station makes them think themselves important, their insolence is always such as may be expected from servile authority; and the impatience of the people, under such immediate oppression, always produces quarrels, tumults, and mischief.

PREFACE TO THE

ARTISTS' CATALOGUE, FOR 1762.

THE publick may justly require to be informed of the nature and extent of every design, for which the favour of the publick is openly solicited. The artists, who were themselves the first projectors of an exhibition in this nation, and who have now contributed to the following catalogue, think it, therefore, necessary to explain their purpose, and justify their conduct. An exhibition of the works of art, being a spectacle new in this kingdom, has raised various opinions and conjectures, among those who are unacquainted with the practice in foreign nations. Those who set out their performances to general view, have been too often considered as the rivals of each other, as men actuated, if not by avarice, at least by vanity, and contending for superiority of fame, though not for a pecuniary prize it cannot be denied or doubted, that all who offer themselves to criticism are desirous of praise; this desire is not only innocent, but virtuous, while it is undebased by artifice, and unpolluted by envy, and of envy or artifice these men can never be accused, who, already enjoying all the honours and profits of their profession, are content to stand candidates for publick notice, with genius yet unexperienced, and diligence yet unrewarded; who, without any hope of increasing their own reputation or interest, expose their names and their works, only that they may furnish an opportunity of appearance

to the young, the diffident, and the neglected. The purpose of this exhibition is not to enrich the artists, but to advance the art; the eminent are not flattered with preference, nor the obscure insulted with contempt; whoever hopes to deserve publick favour, is here invited to display his merit.

Of the price put upon this exhibition, some account may be demanded. Whoever sets his work to be shown, naturally desires a multitude of spectators; but his desire defeats its own end, when spectators assemble in such numbers as to obstruct one another. Though we are far from wishing to diminish the pleasures, or depreciate the sentiments of any class of the community, we know, however, what every one knows, that all cannot be judges or purchasers of works of art; yet we have already found, by experience, that all are desirous to see an exhibition. When the terms of admission were low, our room was thronged with such multitudes as made access dangerous, and frightened away those whose approbation was most desired.

Yet, because it is seldom believed that money is got but for the love of money, we shall tell the use which we intend to make of our expected profits.

Many artists of great abilities are unable to sell their works for their due price; to remove this inconvenience, an annual sale will be appointed, to which every man may send his works, and send them, if he will, without his name. These works will be reviewed by the committee that conduct the exhibition. A price will be secretly set on every piece, and registered by the secretary. If the piece exposed is sold for more, the whole price shall be the artist's; but if the purchaser's value is at less than the committee, the artist shall be paid the deficiency from the profits of the exhibition.

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