Being & Race: Black Writing Since 1970Indiana University Press, 1990 - 132 strani Class of 1967 alumnus, Charles Johnson, examines contemporary African-American fiction. |
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Stran 46
... takes care of itself , the progression of events often startling the writer , forcing him to scrap his outlines as a fictional " world " not his own ( yet oddly his own ) , with its own laws and logic , emerges . Unfortunately , this ...
... takes care of itself , the progression of events often startling the writer , forcing him to scrap his outlines as a fictional " world " not his own ( yet oddly his own ) , with its own laws and logic , emerges . Unfortunately , this ...
Stran 59
... Take It or Leave It ( 1976 ) , and basically trash the bourgeois presuppositions of fiction . The more you ponder this kind of writing , the more clearly do you see that Federman ( in theory ) and Major ( in practice ) are asking you ...
... Take It or Leave It ( 1976 ) , and basically trash the bourgeois presuppositions of fiction . The more you ponder this kind of writing , the more clearly do you see that Federman ( in theory ) and Major ( in practice ) are asking you ...
Stran 111
... takes over the father's role and respectfully yet painfully listens as his mother , who , like Marshall's matriarch in Brown Girl , Brownstones , tells him not to strive for too much in a white man's world . Sister Lou convinces him to ...
... takes over the father's role and respectfully yet painfully listens as his mother , who , like Marshall's matriarch in Brown Girl , Brownstones , tells him not to strive for too much in a white man's world . Sister Lou convinces him to ...
Vsebina
Being and Fiction | 30 |
Being and Form | 47 |
The Men | 57 |
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Abebe achieve actors African Afro-American artistic authors Baraka Bigger's Black Aesthetic black American fiction Black Arts Movement black fiction black women black writers body called Chaneyville character Clarence Major Color Purple comic consciousness contemporary created creative critic Cultural Nationalism Cultural Nationalist dramatic Ellison Emergency Exit essay esthetic experience explore fact feeling Gardner Gass Gayl Jones Harlem Renaissance Husserl idea imagination interesting Ishmael Reed Joanna Russ John John Gardner language literary literature lives Major Malraux Maurice Merleau-Ponty McPherson meaning Merleau-Ponty metaphor Morrison's move narrative Negritude Negro novel novelist perception person Phenomenology philosophy play plot poet political portray problem prose protagonist race racial Ralph Ellison readers Reed's Richard Wright Samuel Delany scene sense sexual short story simply slave social spiritual storytelling style talent tells things tion Toni Morrison tradition universe vision voice Western William Gass woman words young