Art and Philosophy: Readings in AestheticsW. E. Kennick St. Martin's Press, 1964 - 674 strani |
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Zadetki 1–3 od 84
Stran 130
... poem is merely a performance of the poem and not the poem itself . It is on exactly the same level as the performance of a piece of music by a musician . There is - to follow the line of our previous argu- ment - a huge written ...
... poem is merely a performance of the poem and not the poem itself . It is on exactly the same level as the performance of a piece of music by a musician . There is - to follow the line of our previous argu- ment - a huge written ...
Stran 131
Readings in Aesthetics W. E. Kennick. The reading of the poem is not the poem itself , for we can correct the performance mentally . Even if we hear a recitation which we acknowl- edge to be excellent or perfect , we cannot preclude the ...
Readings in Aesthetics W. E. Kennick. The reading of the poem is not the poem itself , for we can correct the performance mentally . Even if we hear a recitation which we acknowl- edge to be excellent or perfect , we cannot preclude the ...
Stran 146
... poem is iden- tical with ... of the poem . " Apart from Wellek's and Warren's criticisms of these answers , can any such thesis be logically satisfactory , whatever words may be used to fill the blank ? ... Consider the third thesis : a ...
... poem is iden- tical with ... of the poem . " Apart from Wellek's and Warren's criticisms of these answers , can any such thesis be logically satisfactory , whatever words may be used to fill the blank ? ... Consider the third thesis : a ...
Vsebina
Introduction | 3 |
BENEDETTO CROCE Art as Intuition | 19 |
CLIVE BELL The Aesthetic Hypothesis | 33 |
Avtorske pravice | |
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A. E. Housman aesthetic experience aesthetic judgment aesthetic terms aestheticians ambiguity analysis answer appreciation architecture Aristotelian Society artist aspect beauty belief Cassie catachresis character characteristic Charlotte Brontë Clive Bell color concepts consider contemplating creative criteria criticism definition Distance distinction elements emotion Epic poetry example expression fact false feeling fiction function give hexapod human I. A. Richards ideas imagination imitation imply intellect interpretation intuition intuitive knowledge Jane Austen kind knowledge language linguistic literary literature logical look matter meaning ment metaphor mind moral Morris Weitz nature novel observe painter painting perception person philosophers picture play pleasure poem poet poetic poetry problem propositions qualities question R. G. Collingwood reader reason relation relevant sculpture sensation sense sentence sort speak statement suggest suppose symbol T. S. Eliot theory things tion true truth visual words writing