The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern TheoryH. Holt, 1928 - 390 strani |
Iz vsebine knjige
Zadetki 1–3 od 70
Stran 49
... gives us a theory of poetry . By separating the art of poetry from that of politics and ethics , his logical method at one lucky stroke gives fine art an independent place in the scheme of human activity — it has released it from the ...
... gives us a theory of poetry . By separating the art of poetry from that of politics and ethics , his logical method at one lucky stroke gives fine art an independent place in the scheme of human activity — it has released it from the ...
Stran 67
... give us something less than reality - he cannot in his verses give us the physical warmth of flesh and blood- he gives us in compensation something more , evoking so much of spirit and heightened feeling as life itself can only yield to ...
... give us something less than reality - he cannot in his verses give us the physical warmth of flesh and blood- he gives us in compensation something more , evoking so much of spirit and heightened feeling as life itself can only yield to ...
Stran 328
... give powers to the critic to judge what he calls a work of art , he gives not only the critic , but even the censor of morals , the utmost powers to approve or condemn the objectified work of art , that outward physical form which is ...
... give powers to the critic to judge what he calls a work of art , he gives not only the critic , but even the censor of morals , the utmost powers to approve or condemn the objectified work of art , that outward physical form which is ...
Vsebina
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
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Druge izdaje - Prikaži vse
The Making of Literature: Some Principles of Criticism Examined in the Light ... Rolfe Arnold Scott-James Prikaz kratkega opisa - 1963 |
Pogosti izrazi in povedi
action admiration Æschylus æsthetic ancient appears Aristophanes Aristotle Arnold artist beauty Ben Jonson Boileau century character classical Coleridge creative critic Croce culture Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions essential Euripides excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas imagination imitation impressions inspired intellectual intuition Jonson judgment kind language Laocoon less literary literature living Longinus matter Matthew Arnold mean metaphysical method mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poet's poetic poetry principles prose Quintilian reality reason romantic romanticism Sainte-Beuve sculptor sense Shakespeare Sophocles soul speak spirit style sublime task taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing