The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern TheoryH. Holt, 1928 - 390 strani |
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Zadetki 1–3 od 37
Stran 60
... Tragedy knows also about Epic poetry ; and , again , when he says that Tragedy is superior in that it functions better as an art ( τῷ τῆς τέχνης ἔργῳ ) Is it not clear that he is so interested in Tragedy because he takes it to be the ...
... Tragedy knows also about Epic poetry ; and , again , when he says that Tragedy is superior in that it functions better as an art ( τῷ τῆς τέχνης ἔργῳ ) Is it not clear that he is so interested in Tragedy because he takes it to be the ...
Stran 61
... Tragedy ( using Professor Butcher's rendering ) : Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic ornament , the several kinds ...
... Tragedy ( using Professor Butcher's rendering ) : Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic ornament , the several kinds ...
Stran 73
... tragedy . " Any such idea is clearly negatived by his judgment that " the plot is the first thing . " A tragic situation is the essential of a tragedy . " It is true we can never have such a situation unless the persons acting within it ...
... tragedy . " Any such idea is clearly negatived by his judgment that " the plot is the first thing . " A tragic situation is the essential of a tragedy . " It is true we can never have such a situation unless the persons acting within it ...
Vsebina
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
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The Making of Literature: Some Principles of Criticism Examined in the Light ... Rolfe Arnold Scott-James Prikaz kratkega opisa - 1963 |
Pogosti izrazi in povedi
action admiration Æschylus æsthetic ancient appears Aristophanes Aristotle Arnold artist beauty Ben Jonson Boileau century character classical Coleridge creative critic Croce culture Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions essential Euripides excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas imagination imitation impressions inspired intellectual intuition Jonson judgment kind language Laocoon less literary literature living Longinus matter Matthew Arnold mean metaphysical method mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poet's poetic poetry principles prose Quintilian reality reason romantic romanticism Sainte-Beuve sculptor sense Shakespeare Sophocles soul speak spirit style sublime task taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing