The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 23
Stran 12
... chapter is an exposition of the word " abstract " to clarify the need of a new and broader use of the term which will include this meaning of " abstract content " . CHAPTER II THE WORD " ABSTRACT " There are two 12.
... chapter is an exposition of the word " abstract " to clarify the need of a new and broader use of the term which will include this meaning of " abstract content " . CHAPTER II THE WORD " ABSTRACT " There are two 12.
Stran 28
Edna May Tulane. CHAPTER IV CÉZANNE Cézanné has so fused his sense of abstract form and abstract idea that the two have become inseparable , and proves beyond a shadow of a doubt that idea , in its most subtle nuances ... CHAPTER IV ...
Edna May Tulane. CHAPTER IV CÉZANNE Cézanné has so fused his sense of abstract form and abstract idea that the two have become inseparable , and proves beyond a shadow of a doubt that idea , in its most subtle nuances ... CHAPTER IV ...
Stran 31
Edna May Tulane. CHAPTER V Form " If a painting retains nothing that is imitative , are we so made that we can avoid trying to find familiar forms in it ? To make us seek them where they do not exist , is not that to set a ... CHAPTER V ...
Edna May Tulane. CHAPTER V Form " If a painting retains nothing that is imitative , are we so made that we can avoid trying to find familiar forms in it ? To make us seek them where they do not exist , is not that to set a ... CHAPTER V ...
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York