The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 38
... the aesthetic emo- tion -- it is clearly infinitely removed from those ethical values to which Tolstoy would have confined it . It seems to be as remote 2 Santayana , op . cit . , p . 150 . 3 Fry , Vision and Design , p . 302 38.
... the aesthetic emo- tion -- it is clearly infinitely removed from those ethical values to which Tolstoy would have confined it . It seems to be as remote 2 Santayana , op . cit . , p . 150 . 3 Fry , Vision and Design , p . 302 38.
Stran 46
... Vision and Design . New York , 1920 . Green , Peter . The Problem of Art . Great Britain , 1937 . Ozenfant , A. Foundations of Modern Art . John Rodker , 1931 . Paget , Violet . Laurus Nobilis . London , 1909 . Parker , DeWitt . The ...
... Vision and Design . New York , 1920 . Green , Peter . The Problem of Art . Great Britain , 1937 . Ozenfant , A. Foundations of Modern Art . John Rodker , 1931 . Paget , Violet . Laurus Nobilis . London , 1909 . Parker , DeWitt . The ...
Stran 60
... vision is really more sensuous and rich than report , if art is only able to hold vision in suspense and make it explicit . " p . 157 " ... everything must pass through the senses , and life , whatever its complexity , remains always ...
... vision is really more sensuous and rich than report , if art is only able to hold vision in suspense and make it explicit . " p . 157 " ... everything must pass through the senses , and life , whatever its complexity , remains always ...
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York