The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 2
... off from human interests ; our anticipations and memories are arrested ; we are lifted above the stream of life . " 2 2 Clive Bell , Art , New York , 1913 , p . 25 . Bell considers content only worthless but , more often Than 2.
... off from human interests ; our anticipations and memories are arrested ; we are lifted above the stream of life . " 2 2 Clive Bell , Art , New York , 1913 , p . 25 . Bell considers content only worthless but , more often Than 2.
Stran 16
... The boundaries become so blurred that almost the whole of the two areas merge 234 Italics mine . Herbert Read , Art Now , New York , 1936 , p . 100 . Ibid . , p . 100 . when we try to apply it to any actual examples 16.
... The boundaries become so blurred that almost the whole of the two areas merge 234 Italics mine . Herbert Read , Art Now , New York , 1936 , p . 100 . Ibid . , p . 100 . when we try to apply it to any actual examples 16.
Stran 46
... York , 1913 . Aristotle's Theory of Poetry and Fine Art with a Critical text and translation of the Poetics . London , 1923 . Art as Experience . New York , 1934 . Dewey , John . Fry , Roger . Transformations . London , 1926 . Fry ...
... York , 1913 . Aristotle's Theory of Poetry and Fine Art with a Critical text and translation of the Poetics . London , 1923 . Art as Experience . New York , 1934 . Dewey , John . Fry , Roger . Transformations . London , 1926 . Fry ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York