The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 32
Stran 7
... artist has , ready to his hand , fresh mechanical aids , supplied by science , and fresh solutions of technical problems , supplied by his predecessors . There should be steady progress in mere ' form ' in every generation . But it is ...
... artist has , ready to his hand , fresh mechanical aids , supplied by science , and fresh solutions of technical problems , supplied by his predecessors . There should be steady progress in mere ' form ' in every generation . But it is ...
Stran 8
... artist . It is often no more than an atti- tude of mind . The artist , convinced of its aesthetic dignity , attempts to hold it in suspension , to capture and " express " it . This can only be accomplished by endowing it with " form ...
... artist . It is often no more than an atti- tude of mind . The artist , convinced of its aesthetic dignity , attempts to hold it in suspension , to capture and " express " it . This can only be accomplished by endowing it with " form ...
Stran 9
... artist's desire . Changes also occur because no artist has the ability flaw- lessly and initially to " form " his " meaning " in " matter " . It may be paradoxical to suggest that his very lack of skill often suggests the way . the way ...
... artist's desire . Changes also occur because no artist has the ability flaw- lessly and initially to " form " his " meaning " in " matter " . It may be paradoxical to suggest that his very lack of skill often suggests the way . the way ...
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