The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 3
Stran 2
... associative elements , all the love , honor , and dignity of man - kind , as inferior to the purely sensuous appeal of cubes and crimson is high treason . ligence , and will of man in subservient position to the up- lifting power of an ...
... associative elements , all the love , honor , and dignity of man - kind , as inferior to the purely sensuous appeal of cubes and crimson is high treason . ligence , and will of man in subservient position to the up- lifting power of an ...
Stran 54
... elements lend themselves effectively to the creation of form , and that , in consequence , representational elements ... associative cannot be observed simultaneously ; that to focus attention upon the one is to remove it from the other , ...
... elements lend themselves effectively to the creation of form , and that , in consequence , representational elements ... associative cannot be observed simultaneously ; that to focus attention upon the one is to remove it from the other , ...
Stran 55
... elements . It is indeed -- and sculpture and painting like it -- a complex art , one involving several possible strata of effect , within its single medium . " p . 123 " Associative elements are thus called upon to play the major part ...
... elements . It is indeed -- and sculpture and painting like it -- a complex art , one involving several possible strata of effect , within its single medium . " p . 123 " Associative elements are thus called upon to play the major part ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attempt attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubism DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry sense sensuous shapes sheer significant form simply sion space sub-conscious subject-matter subjective form symbolism term thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole Wolfgang Stechow word abstract York