The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 12
Stran 5
... attempt to discover their relative importance to each other , the extent of their interdependence or " inter - relationship " . It appeared that Bell's over - emphasis on form was as one- sided and incomplete a criterion for artistic ...
... attempt to discover their relative importance to each other , the extent of their interdependence or " inter - relationship " . It appeared that Bell's over - emphasis on form was as one- sided and incomplete a criterion for artistic ...
Stran 6
Edna May Tulane. designs was an attempt to illustrate this theory . The theory is no doubt sounder than the painting , which is still an im- mature and developing style , and is in no wise to be judged by the merit of the portraits . The ...
Edna May Tulane. designs was an attempt to illustrate this theory . The theory is no doubt sounder than the painting , which is still an im- mature and developing style , and is in no wise to be judged by the merit of the portraits . The ...
Stran 8
... attempt to follow the workings of the artist's mind . The reconstruction is a personal one and makes no claim to ... attempts to hold it in suspension , to capture and " express " it . This can only be accomplished by endowing it with ...
... attempt to follow the workings of the artist's mind . The reconstruction is a personal one and makes no claim to ... attempts to hold it in suspension , to capture and " express " it . This can only be accomplished by endowing it with ...
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York