The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 43
... character that holds itself in this way , the sub- lime self - confidence and indifference to opinion of the descendant of a great aristocratic race with all that these conditions of life have engraved on the pale and faded coun ...
... character that holds itself in this way , the sub- lime self - confidence and indifference to opinion of the descendant of a great aristocratic race with all that these conditions of life have engraved on the pale and faded coun ...
Stran 50
Edna May Tulane. Art . The development and exhibition of character and sentiment in a work of art . A form .... which manifest or symbolizes a thought , feeling , character , or quality . ' ** Websters International Dictionary , Second ...
Edna May Tulane. Art . The development and exhibition of character and sentiment in a work of art . A form .... which manifest or symbolizes a thought , feeling , character , or quality . ' ** Websters International Dictionary , Second ...
Stran 53
... character , dramatic situation , or other aspects of subject - matter , can be brought into significant relations with each other . When so inter- related they give rise to a form , as well as its more widely recognized plastic ...
... character , dramatic situation , or other aspects of subject - matter , can be brought into significant relations with each other . When so inter- related they give rise to a form , as well as its more widely recognized plastic ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York