The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 5
Stran
... closely at portraits , emphasis on such values as " psychological volumes " and " likeness " would be avoided . It would also serve to place it , as it should be , with the other arts , and claim for it the right to be judged by the ...
... closely at portraits , emphasis on such values as " psychological volumes " and " likeness " would be avoided . It would also serve to place it , as it should be , with the other arts , and claim for it the right to be judged by the ...
Stran 18
... closely concerned with " substance " , " essense " , may be found in the Discourses of Sir Joshua Reynolds , for although he uses the word " form " he means refin- ing shapes more for the purpose of the content involved than geometrical ...
... closely concerned with " substance " , " essense " , may be found in the Discourses of Sir Joshua Reynolds , for although he uses the word " form " he means refin- ing shapes more for the purpose of the content involved than geometrical ...
Stran 28
... closely connected with the meaning , such as in the first example , or simply arbitrarily chosen and with little innate con- nection as in the second . The meaning I wished here to convey is that of an " instinctive symbolism " , which ...
... closely connected with the meaning , such as in the first example , or simply arbitrarily chosen and with little innate con- nection as in the second . The meaning I wished here to convey is that of an " instinctive symbolism " , which ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York