The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 10
Stran 8
... completely to express some abstract concept in permanent and transmissible form . The first existence , then , which a work of art assumes is an inner , perhaps completely sub - conscious , feeling or idea in the mind of the artist . It ...
... completely to express some abstract concept in permanent and transmissible form . The first existence , then , which a work of art assumes is an inner , perhaps completely sub - conscious , feeling or idea in the mind of the artist . It ...
Stran 15
... completely divorced from human values , is noted , is the dialogue of Socrates and Protarchus in Plato's " Philebus " . ( 51 B ) : " Socrates . Certainly what I mean is not quite clear , but I must try to make it so . I do not now ...
... completely divorced from human values , is noted , is the dialogue of Socrates and Protarchus in Plato's " Philebus " . ( 51 B ) : " Socrates . Certainly what I mean is not quite clear , but I must try to make it so . I do not now ...
Stran 24
... immunity to formal values . No such thing . It is simply assigning it the restricted glory its curtailed activity deserves . It has the scope of a percussion solo . The sole excuse , then , in a completely abstract 24.
... immunity to formal values . No such thing . It is simply assigning it the restricted glory its curtailed activity deserves . It has the scope of a percussion solo . The sole excuse , then , in a completely abstract 24.
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attempt attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubism DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry sense sensuous shapes sheer significant form simply sion space sub-conscious subject-matter subjective form symbolism term thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole Wolfgang Stechow word abstract York