The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 19
Stran 17
... defined , are exceedingly rare . Although patterning in two or three dimensions starting with a " depar- ture from ... defines it , relies wholly 17.
... defined , are exceedingly rare . Although patterning in two or three dimensions starting with a " depar- ture from ... defines it , relies wholly 17.
Stran 35
... defines . Perhaps too obvious to mention is the rest of the horizontal , the excitement of the warring obliques ... definition . In Michelangelo's sculptured relief of Madonna and child there is no one thing which may be said , such as ...
... defines . Perhaps too obvious to mention is the rest of the horizontal , the excitement of the warring obliques ... definition . In Michelangelo's sculptured relief of Madonna and child there is no one thing which may be said , such as ...
Stran 53
... definition of solid bodies nor are they in any sense peculiar to such bodies . Color in turn becomes an element of ... defined than plastic form , the character- form on the other hand is freer and subtler , prolonging its vibrations ...
... definition of solid bodies nor are they in any sense peculiar to such bodies . Color in turn becomes an element of ... defined than plastic form , the character- form on the other hand is freer and subtler , prolonging its vibrations ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York