The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 7
Stran 4
... emphasis on subject - matter at another . But Fry is always willing to admit his own bewilderment and ... emphasize the dignity of " subject " .5 That is not to say that Bell is the only writer to take up pen and defend the theory of ...
... emphasis on subject - matter at another . But Fry is always willing to admit his own bewilderment and ... emphasize the dignity of " subject " .5 That is not to say that Bell is the only writer to take up pen and defend the theory of ...
Stran 5
... emphasis on form was as one- sided and incomplete a criterion for artistic worth as the emphasis on subject - matter which it tried to replace . views are inevitably incomplete . Extremist A studio project in the form of three abstract ...
... emphasis on form was as one- sided and incomplete a criterion for artistic worth as the emphasis on subject - matter which it tried to replace . views are inevitably incomplete . Extremist A studio project in the form of three abstract ...
Stran 23
... emphasis is on " universal meanings based on fundamental gemoetrical relationships divorced from recogniz- able specificity . " 3 Or the artist may be concerned with delicate innuendos and relationships of color , hue , intensity ...
... emphasis is on " universal meanings based on fundamental gemoetrical relationships divorced from recogniz- able specificity . " 3 Or the artist may be concerned with delicate innuendos and relationships of color , hue , intensity ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York