The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Stran 17
Edna May Tulane. when we try to apply it to any actual examples . What seems to occur is that subjective feeling rears its ... example might be Alberto Savinio's " Couple Devant la Mer " , which thoroughly subscribes to the fact that the ...
Edna May Tulane. when we try to apply it to any actual examples . What seems to occur is that subjective feeling rears its ... example might be Alberto Savinio's " Couple Devant la Mer " , which thoroughly subscribes to the fact that the ...
Stran 26
... example of content transcending , almost disregarding , form . But here we are not dealing with the artists ... examples of an art concerned with abstract- 26.
... example of content transcending , almost disregarding , form . But here we are not dealing with the artists ... examples of an art concerned with abstract- 26.
Stran 34
... example . So we can have balance or off - balance , order or dis- order , symmetry or a - symmetry , proportion or chaos . This may apply as well to color , as such , and texture . Some Kandinsky canvases are sheer balancing of color ...
... example . So we can have balance or off - balance , order or dis- order , symmetry or a - symmetry , proportion or chaos . This may apply as well to color , as such , and texture . Some Kandinsky canvases are sheer balancing of color ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attempt attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubism DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry sense sensuous shapes sheer significant form simply sion space sub-conscious subject-matter subjective form symbolism term thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole Wolfgang Stechow word abstract York