The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 91
Stran 7
... expression is closely allied , is not only not irrelevant , as the proponents of pure form insist , but is an indigenous component of most , 1 Peter Green , The Problem of Art , Great Britain , 1937 , P. 72 . if not all , great art . To ...
... expression is closely allied , is not only not irrelevant , as the proponents of pure form insist , but is an indigenous component of most , 1 Peter Green , The Problem of Art , Great Britain , 1937 , P. 72 . if not all , great art . To ...
Stran 12
... expression " is the unifying element , the core of a work of art . It is the force which dominates the arrangement of forms making them significant and meaningful . But this content or expression is not concerned with the particular or ...
... expression " is the unifying element , the core of a work of art . It is the force which dominates the arrangement of forms making them significant and meaningful . But this content or expression is not concerned with the particular or ...
Stran 49
... or give it its essential import ; - usually opposed to form ; as , the intellectual or the emotional content of a poem . EXPRESSION Art . The development and exhibition of character and sentiment. Expression : Any embodiment of a thought .
... or give it its essential import ; - usually opposed to form ; as , the intellectual or the emotional content of a poem . EXPRESSION Art . The development and exhibition of character and sentiment. Expression : Any embodiment of a thought .
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attempt attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubism DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry sense sensuous shapes sheer significant form simply sion space sub-conscious subject-matter subjective form symbolism term thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole Wolfgang Stechow word abstract York