The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 18
Stran 13
... formal organiza- tion or formal meanings ( form or content ) , is the ability of the artist to abstract . This term has long been used only in connection with abstract geometrical painting . The error has aided more than any other one ...
... formal organiza- tion or formal meanings ( form or content ) , is the ability of the artist to abstract . This term has long been used only in connection with abstract geometrical painting . The error has aided more than any other one ...
Stran 17
... formal laws " , and shapes for con- veying an emotion or mood are created . It is possible to conceive of an object in no way speci- fically resembling phenomenal nature , and following no formal dictates , catering only to the desire ...
... formal laws " , and shapes for con- veying an emotion or mood are created . It is possible to conceive of an object in no way speci- fically resembling phenomenal nature , and following no formal dictates , catering only to the desire ...
Stran 54
... formal beauty . In point of fact , plastic and representational elements occupy , in this respect , pre- cisely analogous positions . Neither group gives rise to form unless brought together , both groups give rise to form . Form is in ...
... formal beauty . In point of fact , plastic and representational elements occupy , in this respect , pre- cisely analogous positions . Neither group gives rise to form unless brought together , both groups give rise to form . Form is in ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York