The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 10
Stran 13
... content is likewise not bad unless it is a trivial interpretation of the theme , or one concerned exclusively with the particular rather than an abstract concept . In both cases the worth of form and the worth CHAPTER II ...
... content is likewise not bad unless it is a trivial interpretation of the theme , or one concerned exclusively with the particular rather than an abstract concept . In both cases the worth of form and the worth CHAPTER II ...
Stran 16
... interpretation , following no laws unless to " obey the laws of their own origination " 4 he classi- fies as subiective form . It is difficult to see the distinction between abstract form and subjective form so conceived , and in the ...
... interpretation , following no laws unless to " obey the laws of their own origination " 4 he classi- fies as subiective form . It is difficult to see the distinction between abstract form and subjective form so conceived , and in the ...
Stran 43
... interpretation , as well as the necessary technical skill needed to produce that physical and spiritual likeness , is rare . These various needs of the successful portrait painting can not be held consciously in mind . Form , color ...
... interpretation , as well as the necessary technical skill needed to produce that physical and spiritual likeness , is rare . These various needs of the successful portrait painting can not be held consciously in mind . Form , color ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York