The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 6
Stran 17
... from objects " , which is what Read's theory of abstract form ultimately resolves into , has a more or less concrete basis on which to build , the artist concerned with " subjective form " , as Read defines it , relies wholly 17.
... from objects " , which is what Read's theory of abstract form ultimately resolves into , has a more or less concrete basis on which to build , the artist concerned with " subjective form " , as Read defines it , relies wholly 17.
Stran 50
... less and less Cubist , Leger and Metzinger quickly ceased to be so , and Gleizes remains the only one of the founders of the movement to preserve the primary concept . " Amedée Ozenfant , Foundations of Modern Art , P. 53 . " The Cubist ...
... less and less Cubist , Leger and Metzinger quickly ceased to be so , and Gleizes remains the only one of the founders of the movement to preserve the primary concept . " Amedée Ozenfant , Foundations of Modern Art , P. 53 . " The Cubist ...
Stran 53
... Less clearly defined than plastic form , the character- form on the other hand is freer and subtler , prolonging its vibrations further among elements to which conscious percep- tion cannot penetrate ; fading away into infinity like dis ...
... Less clearly defined than plastic form , the character- form on the other hand is freer and subtler , prolonging its vibrations further among elements to which conscious percep- tion cannot penetrate ; fading away into infinity like dis ...
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York