The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 6
Stran 22
... light we find abstraction to be an indigenous component of any true art . When speaking of true art we mean it in the Artistotelian sense , " The artist may imitate things as they ought to be ' ; he may place before him an unrealized ...
... light we find abstraction to be an indigenous component of any true art . When speaking of true art we mean it in the Artistotelian sense , " The artist may imitate things as they ought to be ' ; he may place before him an unrealized ...
Stran 30
... than by their relations in light and dark . " Roger Fry , Trans- formations , London , 1926 , p . 218 . CHAPTER V Form " If a painting retains nothing that 30 well in the ability to convey abstract concepts. There ...
... than by their relations in light and dark . " Roger Fry , Trans- formations , London , 1926 , p . 218 . CHAPTER V Form " If a painting retains nothing that 30 well in the ability to convey abstract concepts. There ...
Stran 58
... light , was inevitably ( at least theoretically ) to come to grief . Representation , they said , was never anything but a wretched ersatz ; light from paint tubes , questionable flesh - tints , nature falsified : and the more flagrant ...
... light , was inevitably ( at least theoretically ) to come to grief . Representation , they said , was never anything but a wretched ersatz ; light from paint tubes , questionable flesh - tints , nature falsified : and the more flagrant ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York