The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 6
Stran 6
... needed to produce good painting and sound theories . The difficulties have been many , chief among which was the limited number of hours which could be devoted to each portrait . CHAPTER I TYPICAL EVOLUTION OF FORM AND EXPRESSION IN A 6.
... needed to produce good painting and sound theories . The difficulties have been many , chief among which was the limited number of hours which could be devoted to each portrait . CHAPTER I TYPICAL EVOLUTION OF FORM AND EXPRESSION IN A 6.
Stran 36
... be no more connection than the rightness of calling a pig " pig " and transmission of thought would be limited and rigid . 3 Santayana , op . cit . , p . 152 . CHAPTER VI ON CONTENT The modern tendency to stress form 36.
... be no more connection than the rightness of calling a pig " pig " and transmission of thought would be limited and rigid . 3 Santayana , op . cit . , p . 152 . CHAPTER VI ON CONTENT The modern tendency to stress form 36.
Stran 53
... limited to relationships between tangible elements , nor does it pre- suppose any given type of element whatsoever . Form is an order or organization , and the degree of order , the beauty of the organization , is independent of the ...
... limited to relationships between tangible elements , nor does it pre- suppose any given type of element whatsoever . Form is an order or organization , and the degree of order , the beauty of the organization , is independent of the ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York