The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 7
Stran 8
... mind let us attempt to follow the workings of the artist's mind . The reconstruction is a personal one and makes no claim to being universal or scientific . As an artist approaches his canvas he more often than otherwise will assume ...
... mind let us attempt to follow the workings of the artist's mind . The reconstruction is a personal one and makes no claim to being universal or scientific . As an artist approaches his canvas he more often than otherwise will assume ...
Stran 43
... mind . Form , color , physcho- logical volumes , likeness , are not so many strings to be 1 1 " Caricature . Here clearly we are dealing primarily with ' psychological volumes . Provided that surprising , vivid and consistent ...
... mind . Form , color , physcho- logical volumes , likeness , are not so many strings to be 1 1 " Caricature . Here clearly we are dealing primarily with ' psychological volumes . Provided that surprising , vivid and consistent ...
Stran 48
... mind ; to consider separately , as a quality or attribute ; as to abstract the notion of dimension from that of space . Abstracted - adjc . Separated from matter . ** Abstraction : Act or process of leaving out of consider- ation one or ...
... mind ; to consider separately , as a quality or attribute ; as to abstract the notion of dimension from that of space . Abstracted - adjc . Separated from matter . ** Abstraction : Act or process of leaving out of consider- ation one or ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York