The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 4
Stran 33
... movement or path that the eye of the observer will follow in looking at the composition . This movement can be pleasing or otherwise , depending on the sensitivity of the painter . The movement is such that it is sensed rather than ...
... movement or path that the eye of the observer will follow in looking at the composition . This movement can be pleasing or otherwise , depending on the sensitivity of the painter . The movement is such that it is sensed rather than ...
Stran 50
... movement . Painting went on to something else , at least that of the masters did . To be precise , Braque took up painting again in 1917 , having returned from the war , and went on with it into 1921 , al- ways on pre - 1914 lines . He ...
... movement . Painting went on to something else , at least that of the masters did . To be precise , Braque took up painting again in 1917 , having returned from the war , and went on with it into 1921 , al- ways on pre - 1914 lines . He ...
Stran
... movement , almost caught in mid - air , yet " controlled " . The spiral movement of the body , the feeling of " suspension " , are a means of arriving at the first . The numerous parallel lines and planes within the movement and in the ...
... movement , almost caught in mid - air , yet " controlled " . The spiral movement of the body , the feeling of " suspension " , are a means of arriving at the first . The numerous parallel lines and planes within the movement and in the ...
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York