The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 4
... Original Subject Matter , Person at a Table . lated into forms of two - dimensional fulness and tension harmonious with the reality of painting on a surface . Expressive content : discovery and revelation of new plastic orders which ...
... Original Subject Matter , Person at a Table . lated into forms of two - dimensional fulness and tension harmonious with the reality of painting on a surface . Expressive content : discovery and revelation of new plastic orders which ...
Stran 9
... original " ; perhaps it is entirely different , was only motivated by it until chance intervened . Usually , however , the original idea so dominates the artist that no distraction is powerful enough to supplant it . Or per- haps it ...
... original " ; perhaps it is entirely different , was only motivated by it until chance intervened . Usually , however , the original idea so dominates the artist that no distraction is powerful enough to supplant it . Or per- haps it ...
Stran 11
... original conception , but have none of the innate qualities to in themselves arouse that feeling . The connection is little more than a verbal linking . What amounts only to symbolism is employed . For example , no matter how ...
... original conception , but have none of the innate qualities to in themselves arouse that feeling . The connection is little more than a verbal linking . What amounts only to symbolism is employed . For example , no matter how ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York