The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 10
Stran 1
... painter projects upon the canvas the transposition of his imaginings , ... vegetable marrow , a woman who obesses ... painters relegated to the pantry ! " This intelligent woman with much exact- ness expresses the contemporary attitude ...
... painter projects upon the canvas the transposition of his imaginings , ... vegetable marrow , a woman who obesses ... painters relegated to the pantry ! " This intelligent woman with much exact- ness expresses the contemporary attitude ...
Stran 50
... painter , he is profoundly aware that all art is abstract . To select and eliminate are processes of abstraction . Composition and design are ab- stract . No matter how ostensibly realistic the aims of a painter , what he chooses to ...
... painter , he is profoundly aware that all art is abstract . To select and eliminate are processes of abstraction . Composition and design are ab- stract . No matter how ostensibly realistic the aims of a painter , what he chooses to ...
Stran 58
... painter was faced with the problem of executing some trifle ' after nature , ' nature was in fact duly executed . To hope to imitate vibration of light , was inevitably ( at least theoretically ) to come to grief . Representation , they ...
... painter was faced with the problem of executing some trifle ' after nature , ' nature was in fact duly executed . To hope to imitate vibration of light , was inevitably ( at least theoretically ) to come to grief . Representation , they ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York