The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 4
Stran 15
... perfect form , a portion of the answer was seen to have been in the pure relationship of line , space , volume , and color . One of the first references in which the beauty of sheer proportion , balance , completely divorced from human ...
... perfect form , a portion of the answer was seen to have been in the pure relationship of line , space , volume , and color . One of the first references in which the beauty of sheer proportion , balance , completely divorced from human ...
Stran 19
... perfect than any one original . " 5 The idea herein expressed finds its amplified echo in Merle Armitage's work when she declares that all painting is to some extent abstract which " ranges somewhere between imitation of nature on one ...
... perfect than any one original . " 5 The idea herein expressed finds its amplified echo in Merle Armitage's work when she declares that all painting is to some extent abstract which " ranges somewhere between imitation of nature on one ...
Stran 51
... perfect ( the absolute ) recognized through the senses ; truth is the perfect perceived through reason ; goodness is the Perfect reached by moral will . " p . 17 " And therefore these people not only cannot distinguish true 51.
... perfect ( the absolute ) recognized through the senses ; truth is the perfect perceived through reason ; goodness is the Perfect reached by moral will . " p . 17 " And therefore these people not only cannot distinguish true 51.
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York