The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 11
Stran 43
... plastic volumes , which alone can " conceive " the interpretation , as well as the necessary technical skill needed to produce that physical and spiritual likeness , is rare . These various needs of the successful portrait painting can ...
... plastic volumes , which alone can " conceive " the interpretation , as well as the necessary technical skill needed to produce that physical and spiritual likeness , is rare . These various needs of the successful portrait painting can ...
Stran 53
... plastic form , but a potential source of form itself . Like the plastic elements psychological materials- in the appeal of character , dramatic situation , or other aspects of subject - matter , can be brought into significant relations ...
... plastic form , but a potential source of form itself . Like the plastic elements psychological materials- in the appeal of character , dramatic situation , or other aspects of subject - matter , can be brought into significant relations ...
Stran 54
... plastic and representational elements occupy , in this respect , pre- cisely analogous positions . Neither group gives rise to form unless brought together , both groups give rise to form . Form is in no sense necessarily or uniquely ...
... plastic and representational elements occupy , in this respect , pre- cisely analogous positions . Neither group gives rise to form unless brought together , both groups give rise to form . Form is in no sense necessarily or uniquely ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York