The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 10
Stran 23
... play of line , as in Arp or Klee . The concern may be primarily with volume such as some of the work of Brancussi and Archipenko in A and space , in sculpture , at times Duchamp , Moholy Nagi and Picasso in oil . Here the emphasis is on ...
... play of line , as in Arp or Klee . The concern may be primarily with volume such as some of the work of Brancussi and Archipenko in A and space , in sculpture , at times Duchamp , Moholy Nagi and Picasso in oil . Here the emphasis is on ...
Stran 24
... play with abstraction of pure form is a sort of mental gymnastics . It must be admitted that probing to the limit of its possibilities this all too often neglected sphere of expres- sion has a vitalizing effect on art . It has the ...
... play with abstraction of pure form is a sort of mental gymnastics . It must be admitted that probing to the limit of its possibilities this all too often neglected sphere of expres- sion has a vitalizing effect on art . It has the ...
Stran 50
... play up or play down are results of abstract thinking . He is never led by the ears by nature but chooses the qualities that impress him ... " Forbes Watson , " Max Weber - 1941 " , Mag . of Art , 1941 . " For the French have never ...
... play up or play down are results of abstract thinking . He is never led by the ears by nature but chooses the qualities that impress him ... " Forbes Watson , " Max Weber - 1941 " , Mag . of Art , 1941 . " For the French have never ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York