The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Stran 54
... poetry , in which words having in their first stratum an abstract or ' musical ' basis , words capable of being woven into beautiful patterns of pure sound , are not delimited exclusively as sounds but project their significance into ...
... poetry , in which words having in their first stratum an abstract or ' musical ' basis , words capable of being woven into beautiful patterns of pure sound , are not delimited exclusively as sounds but project their significance into ...
Stran 56
... poetic implications of things into a region of pure and almost abstract harmony . For that , indeed , is the secret ... poetry , but there is a universality about the ideas , which make them applicable to the visual arts as well . " We ...
... poetic implications of things into a region of pure and almost abstract harmony . For that , indeed , is the secret ... poetry , but there is a universality about the ideas , which make them applicable to the visual arts as well . " We ...
Stran 57
... poetic " technique " is in the hands of an artist a good tool , but I am each time carried away by an unspeakable emotion . " " Are we not able to conclude from that that all the possible qualitities of poetry form a hierarchy ? Poetic ...
... poetic " technique " is in the hands of an artist a good tool , but I am each time carried away by an unspeakable emotion . " " Are we not able to conclude from that that all the possible qualitities of poetry form a hierarchy ? Poetic ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York