The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 4
Stran
... psychological volumes " and " likeness " would be avoided . It would also serve to place it , as it should be , with the other arts , and claim for it the right to be judged by the same criterions . It is too often considered as a dis ...
... psychological volumes " and " likeness " would be avoided . It would also serve to place it , as it should be , with the other arts , and claim for it the right to be judged by the same criterions . It is too often considered as a dis ...
Stran 43
... psychological volumes . Provided that surprising , vivid and consistent suggestions of a peculiar psychological entity are given to us we need not clamour for significant plasticity . One can imagine a case where a few dispointed dots ...
... psychological volumes . Provided that surprising , vivid and consistent suggestions of a peculiar psychological entity are given to us we need not clamour for significant plasticity . One can imagine a case where a few dispointed dots ...
Stran 53
... psychological materials- in the appeal of character , dramatic situation , or other aspects of subject - matter , can be brought into significant relations with each other . When so inter- related they give rise to a form , as well as ...
... psychological materials- in the appeal of character , dramatic situation , or other aspects of subject - matter , can be brought into significant relations with each other . When so inter- related they give rise to a form , as well as ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York