The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 10
Stran 26
... reality . Any unconscious deviation from reality which results from this approach , either through sheer indif- ference or incapability , should not be misconstrued as ab- straction , as the above quotations defining abstract art failed ...
... reality . Any unconscious deviation from reality which results from this approach , either through sheer indif- ference or incapability , should not be misconstrued as ab- straction , as the above quotations defining abstract art failed ...
Stran 31
... reality ? Question of degree ! But states of revolution take little stock of degrees . Then who is to decide ? All the great painters ! " Nature moves us when it approximates to art ; but art suffers when it approaches too close to ...
... reality ? Question of degree ! But states of revolution take little stock of degrees . Then who is to decide ? All the great painters ! " Nature moves us when it approximates to art ; but art suffers when it approaches too close to ...
Stran 58
... reality external to those related forms . ' " When a painter was faced with the problem of executing some trifle ' after nature , ' nature was in fact duly executed . To hope to imitate vibration of light , was inevitably ( at least ...
... reality external to those related forms . ' " When a painter was faced with the problem of executing some trifle ' after nature , ' nature was in fact duly executed . To hope to imitate vibration of light , was inevitably ( at least ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York