The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 18
Stran 28
... sense , for no abstractionist dealing with pure form would submit to the judgment that his work was built on symbolism as commonly understood . For a symbol need not necessarily be well designed , or have any qualities of controlled ...
... sense , for no abstractionist dealing with pure form would submit to the judgment that his work was built on symbolism as commonly understood . For a symbol need not necessarily be well designed , or have any qualities of controlled ...
Stran 29
... sense the inner dignity of man , a timeless integrity , a quiet and poised wisdom . There is nothing specific about this content ; it is an -- abstraction of human qualities . They are doubtless likenesses of the individual and of the ...
... sense the inner dignity of man , a timeless integrity , a quiet and poised wisdom . There is nothing specific about this content ; it is an -- abstraction of human qualities . They are doubtless likenesses of the individual and of the ...
Stran 48
... senses ; orderly arrangement ; symmetry ; shape : ... Kantianism - the a priori ways of the mind's function- ing which give shape to the impressions of sense and are essential to all experience , such as the arrangement of these ...
... senses ; orderly arrangement ; symmetry ; shape : ... Kantianism - the a priori ways of the mind's function- ing which give shape to the impressions of sense and are essential to all experience , such as the arrangement of these ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York