The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 9
Stran 29
... " Thus with Cézanne colour has ceased to play any separate role from drawing . It is an integral part of plastic expression . ... That was the construction of clearly articulated well in the ability to convey abstract concepts . There 29.
... " Thus with Cézanne colour has ceased to play any separate role from drawing . It is an integral part of plastic expression . ... That was the construction of clearly articulated well in the ability to convey abstract concepts . There 29.
Stran 48
... separate from their size or figure , the act is called abstraction , so , also , when it considers whiteness , softness , virtue , exis- tence , as separate from any particular objects . ** Abstract : adj . Considered apart from any ...
... separate from their size or figure , the act is called abstraction , so , also , when it considers whiteness , softness , virtue , exis- tence , as separate from any particular objects . ** Abstract : adj . Considered apart from any ...
Stran 54
... separate explorations of color and line and many other sources of effect -- provided always that its effects include significant relations between the several elements and so culminate in a governing unity . p . 94 " It may be said , in ...
... separate explorations of color and line and many other sources of effect -- provided always that its effects include significant relations between the several elements and so culminate in a governing unity . p . 94 " It may be said , in ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attempt attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubism DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry sense sensuous shapes sheer significant form simply sion space sub-conscious subject-matter subjective form symbolism term thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole Wolfgang Stechow word abstract York