The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 11
Stran 17
... shapes for con- veying an emotion or mood are created . It is possible to conceive of an object in no way speci- fically resembling phenomenal nature , and following no formal dictates , catering only to the desire to recreate in artist ...
... shapes for con- veying an emotion or mood are created . It is possible to conceive of an object in no way speci- fically resembling phenomenal nature , and following no formal dictates , catering only to the desire to recreate in artist ...
Stran 21
... shapes are devoid of any obvious relationship to natural phenomena . It has become synonymous with non- representation , geometrical stylization . A purely " geometric- 11 ized " or " stylized " art is not an abstract art . We should ...
... shapes are devoid of any obvious relationship to natural phenomena . It has become synonymous with non- representation , geometrical stylization . A purely " geometric- 11 ized " or " stylized " art is not an abstract art . We should ...
Stran 48
... shape that an idea takes when embodied in matter , rendering it recognizable to the senses ; orderly arrangement ; symmetry ; shape : ... Kantianism - the a priori ways of the mind's function- ing which give shape to the impressions of ...
... shape that an idea takes when embodied in matter , rendering it recognizable to the senses ; orderly arrangement ; symmetry ; shape : ... Kantianism - the a priori ways of the mind's function- ing which give shape to the impressions of ...
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York