The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 10
Stran 4
... space experience . " Trans- " Original Subject Matter , Person at a Table . lated into forms of two - dimensional fulness and tension harmonious with the reality of painting on a surface . Expressive content : discovery and revelation ...
... space experience . " Trans- " Original Subject Matter , Person at a Table . lated into forms of two - dimensional fulness and tension harmonious with the reality of painting on a surface . Expressive content : discovery and revelation ...
Stran 35
... space volume areas which it defines . Perhaps too obvious to mention is the rest of the horizontal , the excitement of the warring obliques . From this we may progress in the direc- tion of greater and greater refinements until the ...
... space volume areas which it defines . Perhaps too obvious to mention is the rest of the horizontal , the excitement of the warring obliques . From this we may progress in the direc- tion of greater and greater refinements until the ...
Stran 48
... space . Abstracted - adjc . Separated from matter . ** Abstraction : Act or process of leaving out of consider- ation one or more qualities of a complex object so as to attend to others . Thus , when the mind considers the form of a ...
... space . Abstracted - adjc . Separated from matter . ** Abstraction : Act or process of leaving out of consider- ation one or more qualities of a complex object so as to attend to others . Thus , when the mind considers the form of a ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York