The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 4
... surface . Expressive content : discovery and revelation of new plastic orders which profoundly delight the eye . " " Original subject : a street , buildings , gas pump , tree , traffic beacon , clouds and words . These diverse elements ...
... surface . Expressive content : discovery and revelation of new plastic orders which profoundly delight the eye . " " Original subject : a street , buildings , gas pump , tree , traffic beacon , clouds and words . These diverse elements ...
Stran 34
... surfaces or planes . There is no conscious desire to create three - dimensional solids . It depends for its aesthetic ... surface is touched with color or line , but the balance and relationships are worked out primarily in tonal effects ...
... surfaces or planes . There is no conscious desire to create three - dimensional solids . It depends for its aesthetic ... surface is touched with color or line , but the balance and relationships are worked out primarily in tonal effects ...
Stran 35
... gives distortion to the meaning . We can only sense them ; verbalization is inadequate . The uses of color are linear , definition of surface ( space - volume ) , tonal effects , and mood . Creating an art of " pure " form can be 35.
... gives distortion to the meaning . We can only sense them ; verbalization is inadequate . The uses of color are linear , definition of surface ( space - volume ) , tonal effects , and mood . Creating an art of " pure " form can be 35.
Pogosti izrazi in povedi
ability abstract abstract art abstract concept activity aesthetic appear arrangement artist associative attempt balance beauty become Bell CHAPTER character closely color completely composition conceived conception concerned consider create critic Cubism defined definition Design desire effect elements embodiment emotion emphasis essential example exclusion experience expression fact feeling felt force formal genius geometrical give holds human idea ideal imitate indicate intellectual interpretation laws least less light limited material matter meaning mind Modern Art mood movement nature object original Ozenfant painter painting particular perfect Perhaps period personality plastic play poetry portrait possible present problem psychological pure qualities Read reality reason relationship representation Santayana seems sense separate shapes significant simply space speaking subject-matter subjective suggests symbolism takes term theory thing thought tion true truth understanding universal values various Vision visual volume whole York