The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Stran
... true of all painting will be true of portrait painting in so far as they both aspire to the term " art " . In looking at the whole field , rather than too closely at portraits , emphasis on such values as " psychological volumes " and ...
... true of all painting will be true of portrait painting in so far as they both aspire to the term " art " . In looking at the whole field , rather than too closely at portraits , emphasis on such values as " psychological volumes " and ...
Stran 22
... true art . When speaking of true art we mean it in the Artistotelian sense , " The artist may imitate things as they ought to be ' ; he may place before him an unrealized ideal " , 1 a derivation 1 from Plato's theory that , " ... the ...
... true art . When speaking of true art we mean it in the Artistotelian sense , " The artist may imitate things as they ought to be ' ; he may place before him an unrealized ideal " , 1 a derivation 1 from Plato's theory that , " ... the ...
Stran 52
... true art is modest . " p . 132 L. Tolstoi , What is Art , DEFINTION OF ART " For that reason I call ART everything that takes us out of real life and tends to ELEVATE us . Such a definition would include among the major arts that of ...
... true art is modest . " p . 132 L. Tolstoi , What is Art , DEFINTION OF ART " For that reason I call ART everything that takes us out of real life and tends to ELEVATE us . Such a definition would include among the major arts that of ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York