The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 2
... truth , goodness , and beauty ? This shortsighed or wilful conclusion , that declares subject - matter irrelevant , stemmed from an over - zealous atti- tude which , like the Will - O - The - Wisp , beckoned them on . Per- haps they ...
... truth , goodness , and beauty ? This shortsighed or wilful conclusion , that declares subject - matter irrelevant , stemmed from an over - zealous atti- tude which , like the Will - O - The - Wisp , beckoned them on . Per- haps they ...
Stran 21
... truth , apart from any object or real thing having that quality . Summarize.10 This has since been , by broadening or narrowing , distorted beyond recognition . The term as we have often heard it applied seems to suggest any hodge ...
... truth , apart from any object or real thing having that quality . Summarize.10 This has since been , by broadening or narrowing , distorted beyond recognition . The term as we have often heard it applied seems to suggest any hodge ...
Stran 51
... truth , the object of aesthetic ( i.e. sensuous ) knowledge is Beauty . Beauty is the perfect ( the absolute ) recognized through the senses ; truth is the perfect perceived through reason ; goodness is the Perfect reached by moral will ...
... truth , the object of aesthetic ( i.e. sensuous ) knowledge is Beauty . Beauty is the perfect ( the absolute ) recognized through the senses ; truth is the perfect perceived through reason ; goodness is the Perfect reached by moral will ...
Pogosti izrazi in povedi
abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York