The Inter-relationship of Form and Expression in Portrait PaintingUniversity of Wisconsin--Madison, 1941 |
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Zadetki 1–3 od 10
Stran 21
... abstraction from an abstraction concerned chiefly with content . 10 Thorndike - Century Senior Dictionary , Chicago , 1941 . 11 Read , Art Now , p . 106 . CHAPTER III EXAMPLES OF VARIOUS ABSTRACTING PROCESSES When speaking of 21.
... abstraction from an abstraction concerned chiefly with content . 10 Thorndike - Century Senior Dictionary , Chicago , 1941 . 11 Read , Art Now , p . 106 . CHAPTER III EXAMPLES OF VARIOUS ABSTRACTING PROCESSES When speaking of 21.
Stran 43
... various needs of the successful portrait painting can not be held consciously in mind . Form , color , physcho- logical volumes , likeness , are not so many strings to be 1 1 " Caricature . Here clearly we are dealing primarily with ...
... various needs of the successful portrait painting can not be held consciously in mind . Form , color , physcho- logical volumes , likeness , are not so many strings to be 1 1 " Caricature . Here clearly we are dealing primarily with ...
Stran 51
... various schools themselves deny the title , there is scarcely any art left . " The artists of various sects , like the theologians of the various sects , mutually exclude and destroy themselves . " p . 7 " According to Baumgarten , the ...
... various schools themselves deny the title , there is scarcely any art left . " The artists of various sects , like the theologians of the various sects , mutually exclude and destroy themselves . " p . 7 " According to Baumgarten , the ...
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abstract art abstract content abstract form Abstract Windmills abstractionist aesthetic aestheticians Amedée Ozenfant Aristotle arrangement Art Digest artist associative elements attri balance beauty Called Abstract Cezanne CHAPTER Clive Bell color completely composition conceived conception concerned conscious Corot create Cubist DEFINITION OF ART degree effect emotion emphasis evoke example feeling FORM AND CONTENT form and expres FORM AND EXPRESSION formal values Foundations of Modern genius George Santayana Herbert Read human HUPPLER idea ideal imitate intellectual John Rodker material embodiment Matter and Form ment Modern Art mood movement nature object off-balance original painter peculiar Peter Green Picasso poetry portrait painting psychological volumes pure form qualities reality relationship Representation and Form Roger Fry Santayana sense sensuous shapes sheer significant form simply sion space Stechow sub-conscious subject-matter subjective form symbolism term theory thing tion Tolstoi trompe-l'oeil Tropism University of Wisconsin verbal Vision and Design visual Walter Abell whole word abstract York