Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 34
Stran 37
Elizabeth A. Drew, John L. Sweeney. The Waste Land What are the roots that clutch , what branches grow Out of this stony rubbish ? T. S. ELIOT . The Waste Land You are as good as a chorus , my lord . . . . ... SHAKESPEARE . Hamlet P ...
Elizabeth A. Drew, John L. Sweeney. The Waste Land What are the roots that clutch , what branches grow Out of this stony rubbish ? T. S. ELIOT . The Waste Land You are as good as a chorus , my lord . . . . ... SHAKESPEARE . Hamlet P ...
Stran 47
... Land is that of Gerontion . But it is even more complex and baffling , for in addition to the picture of a dying civiliza- tion , the poem includes the personal response of the poet to this condition . Not only the thing , but himself ...
... Land is that of Gerontion . But it is even more complex and baffling , for in addition to the picture of a dying civiliza- tion , the poem includes the personal response of the poet to this condition . Not only the thing , but himself ...
Stran 55
... land- scape , Pound provoked their thinking by the sharp worm- prodding beak of his satiric intelligence . And both gave readers not only new eyes but new ears . If in their sub- stance they illustrate the death of the old ways of ...
... land- scape , Pound provoked their thinking by the sharp worm- prodding beak of his satiric intelligence . And both gave readers not only new eyes but new ears . If in their sub- stance they illustrate the death of the old ways of ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats