Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 28
Stran 48
... Pound's is critical ; while Eliot is evocative , Pound is provocative . Eliot in- cludes himself in his vision of the world's collapse , he is discouraged and humble ; Pound stands outside what he is criticizing , he is contentious and ...
... Pound's is critical ; while Eliot is evocative , Pound is provocative . Eliot in- cludes himself in his vision of the world's collapse , he is discouraged and humble ; Pound stands outside what he is criticizing , he is contentious and ...
Stran 52
... Pound is sure of himself , sure of his own superior posi- tion . When Pound describes hell in Cantos XIV and XV , he creates none of the spiritual horror we feel in the at- mosphere of Gerontion , for instance , that sense of mingled ...
... Pound is sure of himself , sure of his own superior posi- tion . When Pound describes hell in Cantos XIV and XV , he creates none of the spiritual horror we feel in the at- mosphere of Gerontion , for instance , that sense of mingled ...
Stran 269
... Pound , Eliot and Marianne Moore , Pound's extravagant use of erudi- tion has already been discussed . Too frequently he lays on learning with a trowel , smothering his poetic substance instead of fertilizing it . It is in his capacity ...
... Pound , Eliot and Marianne Moore , Pound's extravagant use of erudi- tion has already been discussed . Too frequently he lays on learning with a trowel , smothering his poetic substance instead of fertilizing it . It is in his capacity ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
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abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats