Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 13
Stran 21
... color- ing and composition of the mind which possesses this experiencing power ? Second , how does he make this known to us ? By the first question we mean , how does the poet feel , see and think about life ? To what aspects of living ...
... color- ing and composition of the mind which possesses this experiencing power ? Second , how does he make this known to us ? By the first question we mean , how does the poet feel , see and think about life ? To what aspects of living ...
Stran 76
... color by intro- ducing an eloquent latinism , as in Dead Boy , for example : The little cousin is dead , by foul subtraction , A green bough from Virginia's aged tree , And neither the county kin love the transaction Nor some of the ...
... color by intro- ducing an eloquent latinism , as in Dead Boy , for example : The little cousin is dead , by foul subtraction , A green bough from Virginia's aged tree , And neither the county kin love the transaction Nor some of the ...
Stran 168
... color , constantly enlarging the circle of attraction they cover , pulling a wider and wider amplitude of reference into the supple network of the poet's reverie . The first stanza prepares the reader for a vision . It is night , the ...
... color , constantly enlarging the circle of attraction they cover , pulling a wider and wider amplitude of reference into the supple network of the poet's reverie . The first stanza prepares the reader for a vision . It is night , the ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats