Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 11
Stran 52
... describes hell in Cantos XIV and XV , he creates none of the spiritual horror we feel in the at- mosphere of Gerontion , for instance , that sense of mingled revulsion and pity before the vision of human wickedness and weakness . Pound ...
... describes hell in Cantos XIV and XV , he creates none of the spiritual horror we feel in the at- mosphere of Gerontion , for instance , that sense of mingled revulsion and pity before the vision of human wickedness and weakness . Pound ...
Stran 140
... describes the purifying experience of ' the dark night . ' The only other way to redemption lies in an abstention from temporal interest , · while the world moves In appetency , on its metalled ways Of time past and time future . The ...
... describes the purifying experience of ' the dark night . ' The only other way to redemption lies in an abstention from temporal interest , · while the world moves In appetency , on its metalled ways Of time past and time future . The ...
Stran 261
... describes this technique : I sabotage the sentence ! With me is the naked word . I spike the verb - all parts of speech are pushed over on their backs . I am the master of all that is half - uttered and imperfectly heard . Return with ...
... describes this technique : I sabotage the sentence ! With me is the naked word . I spike the verb - all parts of speech are pushed over on their backs . I am the master of all that is half - uttered and imperfectly heard . Return with ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats