Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 24
Stran 44
... direct statement , Eliot thus constructs all his ideas in the form of concrete images which do their work by their impact on the reader's senses , making him feel the force of the abstract ideas behind the passage . In The Waste Land ...
... direct statement , Eliot thus constructs all his ideas in the form of concrete images which do their work by their impact on the reader's senses , making him feel the force of the abstract ideas behind the passage . In The Waste Land ...
Stran 55
... direct debt , and he and Eliot between them revolutionized the poetic use of the English language . Both poets diagnosed the social situation of their own day and themselves illustrate it . Both are expatriates , draw- ing no ...
... direct debt , and he and Eliot between them revolutionized the poetic use of the English language . Both poets diagnosed the social situation of their own day and themselves illustrate it . Both are expatriates , draw- ing no ...
Stran 93
... direct qualities of common communication are eliminated , to put all the emphasis on the significance of its obscure and ambiguous elements , is to isolate the poetic activity from all common experience . This is undoubtedly a solution ...
... direct qualities of common communication are eliminated , to put all the emphasis on the significance of its obscure and ambiguous elements , is to isolate the poetic activity from all common experience . This is undoubtedly a solution ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
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abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats