Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 67
Stran 20
... feel that Shakespeare has in them revealed the experiences and sensations of being in love in all their fullness and intensity . The poet has found adequate expression for all that they themselves dimly and dumbly feel . His words bring ...
... feel that Shakespeare has in them revealed the experiences and sensations of being in love in all their fullness and intensity . The poet has found adequate expression for all that they themselves dimly and dumbly feel . His words bring ...
Stran 27
... feel that poets such as Collins in the eighteenth century , or Clough in the nineteenth , or Roy Campbell in the twentieth , failed to realize themselves fully because the spirit of their age was alien to that of their own genius and ...
... feel that poets such as Collins in the eighteenth century , or Clough in the nineteenth , or Roy Campbell in the twentieth , failed to realize themselves fully because the spirit of their age was alien to that of their own genius and ...
Stran 33
... feeling all its spiritual disorganization and communal dis- location , the poet withdrew into the only world in which he could feel sure of himself , the world of his art . Here he made his awareness of his own individuality the sub ...
... feeling all its spiritual disorganization and communal dis- location , the poet withdrew into the only world in which he could feel sure of himself , the world of his art . Here he made his awareness of his own individuality the sub ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats