Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 26
Stran 81
... kind of cerebral and emotional shorthand . Associations leap as indirectly as the knight's move in chess , the approach to the ' subject ' is oblique or peripheral , and ' meaning ' in the usual sense of the word is kept se- verely in ...
... kind of cerebral and emotional shorthand . Associations leap as indirectly as the knight's move in chess , the approach to the ' subject ' is oblique or peripheral , and ' meaning ' in the usual sense of the word is kept se- verely in ...
Stran 145
... kind . Perhaps there is another kind , I believe , across a whole Thibet of broken stones That lie , fang up , a lifetime's march . I have believed this . It is the tempo of emotional speech warmed within a deeply felt human problem ...
... kind . Perhaps there is another kind , I believe , across a whole Thibet of broken stones That lie , fang up , a lifetime's march . I have believed this . It is the tempo of emotional speech warmed within a deeply felt human problem ...
Stran 181
... kind and degree of the artist's prime sensibility , which is the soil out of which his subject springs , ' and the test of this is ' the amount of felt life concerned in producing it . ' Whether this becomes available to others at all ...
... kind and degree of the artist's prime sensibility , which is the soil out of which his subject springs , ' and the test of this is ' the amount of felt life concerned in producing it . ' Whether this becomes available to others at all ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats