Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 49
Stran 88
... language , ' says Michael Roberts , and we must therefore ask ourselves what possi- bilities of language the modern poets particularly use , and why does the use of them render language so ob- scure ? Eliot has said in a much quoted ...
... language , ' says Michael Roberts , and we must therefore ask ourselves what possi- bilities of language the modern poets particularly use , and why does the use of them render language so ob- scure ? Eliot has said in a much quoted ...
Stran 90
... language which is sci- entifically accurate the proper medium is prose of the kind used for traffic regulation or notices in railway trains . Poetry reveals its truths in language which is supple , pli- ant and yielding ; it works by ...
... language which is sci- entifically accurate the proper medium is prose of the kind used for traffic regulation or notices in railway trains . Poetry reveals its truths in language which is supple , pli- ant and yielding ; it works by ...
Stran 143
... language of the opening lines quoted above is supported by a repetitive monotone cadence . It is a straightforward , dispassionate report of common incident in the life of these simple women . With the second section of this passage ...
... language of the opening lines quoted above is supported by a repetitive monotone cadence . It is a straightforward , dispassionate report of common incident in the life of these simple women . With the second section of this passage ...
Vsebina
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
THE NINETEEN TWENTIES | 56 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
abstract achieve artist attitude Auden beauty century civilization color concrete conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats